Robert Engman’s work over the last fifty years has ranged in size from monumental to miniature. Large pieces he has created for major cities and museums in decades past have common attributes but he had never formally attempted to make a series of related works. In the last ten years, he has cast a group of 52 distinctive small sculptures, whose modest scale has allowed him to realize his vast number of sculptural ideas more efficiently. This collection clearly demonstrates how Engman’s work expands and alters three-dimensional structural concepts. Divided into nine families, the sculptures' forms are based on different combinations of circles and squares in flat and warped planes. Each piece is shown from several angles, revealing strikingly different perspectives.